The GH4 does internally offer peaking, zebra, and histogram – but none perform quite as nicely as that of the 7Q. The added focus peaking, zebra, and histogram functions also make shooting life easier. The Odyssey 7Q’s monitor is also a miracle when shooting, and a welcomed respite from using the small 3” flip out LCD screen. While it can be a bit of a runaround getting from Micro-HDMI to Mini-HDMI, the image quality is striking. This disables the internal recording, but allows for very high quality Prores recordings with the Odyssey 7Q. The GH4 is also capable of outputting a 10bit 4:2:2 signal via HDMI. Puts it all into perspective, doesn’t it? Click here for “Panasonic GH4: First Tests” on Vimeo. It’s not RAW, like the Blackmagic counterparts, but you can record around 80 minutes of 4K video on a 64GB card – compared to the Blackmagic Pocket Camera that can give you around 20-30 minutes of Prores, or 15 or so minutes of RAW 1080p. It is able to capture the bright blue sky, as well as plenty of shadow detail. Though the 4K is only recorded at a variable bitrate, maxing at 100Mbps, it seems to handle detail and movement well. The camera loves daylight, far more than tungsten. Shot in very bright mid-day sunlight, I tried to see how well the camera would capture detail and dynamic range. Below is a very quick test I did here at the Rule office. In DaVinci Resolve, using the Arri Alexa LUTs shows just how close it can be – though you should bump the saturation down a bit more before applying. I find this to be very near to a proper log setting. I also use the master pedestal setting to raise the blacks up (+15 in camera menu). By lowering the in camera noise reduction, sharpening, and saturation, I find you can squeeze a bit more information into the recording. I’ve altered my settings slightly to present a slightly more flat and dynamic range friendly profile. The GH4 does not have an official “Log” setting, as the 1DC does – but I find one can get very close when using the Cinelike D profile. This can usually be graded out easily, but it’s important to remember that this isn’t a 1DC, and you’re going to have to take care when shooting dim scenes.
#Pluraleyes 4 export aaf iso#
I find the standard ISO 800 values to be pleasing, but find that the shadows can still present some blocky looking noise artifacts. It’s no low-light monster like the Canon 1DC – I don’t find ISO values higher than 1600 usable without heavy noise reduction and post work, compared to the 10,000 ISO on the 1DC that I’ve filmed with comfortably in the past. Aside from the crop, the image produced by the GH4 is impressive.
Something shooters of the C100, C300 and other APS-C canon cameras will be very familiar with. When using S35 glass, like our beautiful Zeiss Super Speeds, the crop shrinks down to a manageable 1.4x – making the field of view on a 50mm look more like the field of view of a 70mm. Those of us familiar with shooting with the Blackmagic Cinema Cameras won’t be too surprised, but it can be a shock to some.
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Compared to the Full Frame Canon DSLRs, the crop factor can be intimidating (2.1x, thereabouts). Imager and Recording The GH4 is another camera in a long line of Micro Four Thirds (MFT) size sensors. The small size will lend itself nicely to stabilizers of all types – including the new Movi M5 (available to buy or rent here at Rule!). It’s small and lightweight, but packs a punch with its recording quality. For me, the flip out screen and small form factor are fantastic for run and gun situations, specifically in crowded areas or in public. This can be a good or bad thing, all depending on your situation. The additional YAGH bottom unit will add a bit of heft to the camera, but at the end of the day it is one of the smaller DSLR’s out there. Compared to the Canon 5D Mark III at around 2lbs, the GH4 squeaks in at a svelte 1.2lbs. As you can see in the photo above, even with some rigging it maintains a small profile. The GH4 does everything they’ve asked for, and Panasonic has come out strong with a very interesting 4K camera – but how does it perform in the real world? Size The GH4 is small.
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Panasonic has taken the queues from its users who have in the past hacked and modded the GH series cameras to suit their needs. DSLR enthusiasts and 4K adopters alike have all been talking nonstop about the new Panasonic GH4 the tiny camera that can do 4K internally, high speeds up to 96fps, and some very high bit rates.
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